Troughton
回復(fù) 馮凌錕 : 1976年決斗在法國(guó)上，HD。決斗是一部精彩倫的動(dòng)作片決斗的主演麗葉·貝爾,布魯·歐吉爾,Jean,Babilée,Hermine,Karagheuz,Nicole,Garcia將整個(gè)故事演得動(dòng)形象，使斗引起了全的愛(ài)好者的注。決斗的情是Rivette is relatively precise in his dealings with meaning. He is the most atavistically ceremonious of the Vague, in the sense that his abstraction as a journey leading inwards is always attended by signs and codas that affirm our passage. The transcendent rite of passage, in more ways than one, is about the symbolic enactment that paves the way. The transcendence itself is left to our sphere of experience, but we're at least brought to the doorstep. Oh, there's the improvisational flow that seems to throw people off, that things seem to be randomly bubbling up from nothing without significant plan or substance. The chance encounters in a world that we may recognize, the geography vaguely familiar whose nature is yet ultimately insoluble. There's a lot of that here. As in Celine, it is the breathing space that conducts our preparation to step beyond the mechanisms of reason. We don't reason with it, rather trust its intuitive flow. Like the dream world, it is only the figment of the known world spontaneously arisen as a stage or blank slate for the atavistic portents and divinations of the subconscious mind to be writ. But the rite of passage matters, in spite of the seemingly aimless wandering. Here it is about human effort to bypass the 'wall of paradise' constituted by the coincidence of apparent opposites (good and evil, light and dark, being and non-being). A barrier that obscures vision and traps in a world of names and forms that is only an apparent reality. Rendered in the film as twin goddesses of sun and moon, vying for a precious stone that enables their descend into the human world. The human characters are mere pawns to their schemes; to be seduced, tricked, threatened, or ultimately destroyed. Twin femme fatales, weaving spells in an inverse noir universe magnified into a macrocosmic struggle. The ill-prepared man who chances to steal a glimpse of them in their true form, like in the myth of Actaion who steals upon the Greek goddess Artemis bathing naked in a pool, has his consciousness shattered by the revelation. His mirrored image (the soul, the reflected half) is cracked. The woman who finally shatters the illusionary duality that quarantines human consciousness into meaningless dilemmas, does so by a sacrifice of blood. And this is the problem of the film. So much of it is a stridently symbolic enactment, a matter of ceremony. The sacrifice is, quite literally, a matter of spilling blood upon the symbolic stone and does not flow from anything - it is simply the schematic end of the spiritual myth. Although valuable as insight, the meaning of the film is trapped inside the rituals performed to signify it. Having cracked the outer shell to absorb it, the film seizes to resonate.。
河野亞矢子
回復(fù) 潘妮拉·奧古斯特 : 2016年小氣鬼在上映，HD。小氣鬼是一部精彩倫的劇情片。小鬼的主演丹尼·恩,洛朗斯·阿爾內(nèi),諾埃米·施米特將整個(gè)故事巫戚生動(dòng)形象，使小鬼引起了全球的好者的關(guān)注。小鬼的劇情是講述個(gè)一毛不拔的小琴家被一個(gè)愛(ài)慕和突然找上門來(lái)女兒一起改造的事。?
夏曉昀
回復(fù) 邁克爾·萊莫 : 2010年喬喬的冒之旅在日上映，HD。喬喬的險(xiǎn)之旅是部精彩絕的動(dòng)作片喬喬的冒之旅的主高橋克典,林遼威,船越英一郎,江原由希,哀川翔將整個(gè)故事得生動(dòng)形，使喬喬冒險(xiǎn)之旅起了全球愛(ài)好者的注。喬喬冒險(xiǎn)之旅劇情是倒的秀吉跑櫻花樹下窮途末路自殺。忽遇上離家走的精靈童，記起輩的綁票略，于是心一橫當(dāng)業(yè)余綁匪豈料男童親原來(lái)是幫頭目，架綁出個(gè)頭佛。前教育他緊關(guān)頭就撕，但秀吉男童朝夕對(duì)，已儼父子，竟彼此身上到一直缺的家庭溫，誘拐誘了真感情而警局里日回不了的「大搜之男」亦此時(shí)加入圈。導(dǎo)演時(shí)客串智型黑幫，贖金風(fēng)暴松扭成妙溫馨的公小品!。
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