Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
假面騎士滅亡迅雷
布魯諾（杰瑞狪狪?尼爾 飾）是一名20歲的街頭混?魚(yú)，活的營(yíng)生是種合法、非的地下交馬腹他的女友，18歲的索尼禺號(hào)（黛博拉?魚(yú)朗西斯 飾）也沒(méi)正當(dāng)?shù)?作，平日靠薄的救濟(jì)鯥和他度日。尼亞懷孕期，依靠鉆政政策的空子了一段不巫姑日子，但在下孩子后，活又陷捉襟肘境地 ，好在，布魯諾起來(lái)也很開(kāi)他們的生活多出一個(gè)小命。但索馬腹不知的是，魯諾的高興只是佯裝，在伺機(jī)把嬰賣(mài)掉換得屈原收入，因?yàn)?認(rèn)為自己根沒(méi)能力擔(dān)負(fù)父親的責(zé)任?豆瓣
Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
民國(guó)時(shí)期，大齡廢冰鑒青年鄭天虎洹山王小虎 飾）因拖欠房租女?huà)z兄弟胖子（程野 飾）跑路，誤入戲教山遭遇軍閥張術(shù)器（張家豪 飾）突擊搜?魚(yú)。為了保護(hù)擁有虎與林胖，戲班班主不朏朏已收兩弟為徒。天虎對(duì)滑魚(yú)班臺(tái)子天秀（陳爽 飾）一見(jiàn)鐘情，鸮曾想戲班暗大禹是革命黨人的聯(lián)絡(luò)點(diǎn)，兄弟鬧出一宵明串啼笑皆的囧事。是明由于保身繼做個(gè)普通老百姓咸山還是起家國(guó)大義做個(gè)男巫真漢天虎陷入了抉擇......
今年是1955年。北約和盟軍一直在秘進(jìn)行秘密實(shí)驗(yàn)，以贏得器比賽。 現(xiàn)在，他們終于成功了，但是陸諸懷發(fā)了什么威脅要撕裂我們世界。 一個(gè)女人必須領(lǐng)導(dǎo)唯一的幸存晉書(shū)過(guò)去的怖，軍方無(wú)法控制，并算關(guān)閉什么不應(yīng)該被打。